Line Use in Self-Portrait, Yawning (1783) by Joseph Ducreux
This succinct formal analysis of Self-Portrait, Yawning by Joseph Ducreux (1783) concisely determines how line is utilized to emphasize and display the exaggerated expression of Ducreux in this artwork. Ducreux arouses the viewer’s eye to move around the piece with a plethora of lines: contour, organic, diagonal, and gaze. The most impactful line to be noticed is the diagonal formed by the contours of his spine and extension of his arm against the contrasting dark background as he exerts a yawn. This diagonal forms a dynamic 45 degree angle that provides a path for the eye to move along in a way that goes upwards towards the left. This dynamic line also emphasizes and implies the power of the yawn being exerted. The contour lines on Ducreux’s scrunched face and gaping jaw is another factor that implies the power of his yawn by showing this exaggerated facial expression. A lot of the contours on his face are also organic. More organic lines appear along his clothes and self to show
this natural movement from yawning, especially around his belly that plunges outwards. Lastly, there is a line that is implied from Ducreux’s intense gaze that moves the viewer’s eyes beyond the space shown in the portrait. This could also lead the viewer to wonder what is on the other end of his gaze. Altogether, the variety of lines are used effectively in a way that helps emphasize and express the exaggerated gesture made during his powerful yawn. It also makes the artwork more interesting and dynamic to view.